Performers:
Piano students from MUBA and the Estonian Academy of Music and Theatre: Havryil Sydoryk, Mattias Heina, Rasmus Andreas Raide, Sofia Khvichia, Peeter Kivistu, Tiit Tomp, Madis Sikk, Mariam Miqeltadze, Fortunato Salvador García Piquer, Viola Asoskova, Tähe-Lee LiivLiszt. Transcendental Études S139
Étude No. 1 in C major (Preludio)
Étude No. 2 in A minor (Molto vivace)
Performed by Havryil Sydoryk
Étude No. 3 in F major (Paysage)
Performed by Mattias Heina
Étude No. 4 in D minor (Mazeppa)
Performed by Rasmus Andreas Raide
Étude No. 5 in B-flat major (Feux follets)
Performed by Sofia Khvichia
Étude No. 6 in G minor (Vision)
Performed by Peeter Kivistu
Étude No. 7 in E-flat major (Eroica)
Performed by Tiit Tomp
Étude No. 8 in C minor (Wilde Jagd)
Performed by Madis Sikk
Étude No. 9 in A-flat major (Ricordanza)
Performed by Mariam Miqeltadze
Étude No. 10 in F minor (Allegro agitato molto)
Performed by Fortunato Salvador García Piquer
Étude No. 11 in D-flat major (Harmonies du soir)
Performed by Viola Asoskova
Étude No. 12 in B-flat minor (Chasse-neige)
Performed by Tähe-Lee Liiv
Interval
Schumann. Kinderszenen (Scenes from Childhood) Op. 15
Liszt’s “Transcendental Études” represent the advanced mathematics of pianism, challenging even the most technically secure young talents. As Liszt originally composed these works to showcase his own phenomenal abilities, performing them serves as a true test of maturity for a developing pianist, requiring the mastery of both physical demands and complex poetics.
Schumann’s “Kinderszenen” consists of thirteen miniatures, presenting an adult’s poetic reflection on the innocence and dreams of childhood. The movement titles were added later and serve merely as subtle guides from the composer for performance and interpretation.
Duration: approximately 2 h 15 min (with one interval)

